Feeling This 182 - 6 Reasons Blink 182's Song Makes A Great Studio Composition

Posted by Kyle Hoffman on Jun 15, 2009

Feeling This is the first track ON Blink 182 ' s self-titled album that jolted thousands of pop rock fans. The band really impressed major music critics with the release of this single due to its maturity. Even though Feeling This keeps the same up-beat flavor as most of the songs ON Take OFF Your Pants and Jacket and Blink 182 ' s fans could feel a definite progression.

As impressive as Blink 182 ' s melody skills are and comparatively their studio work is impeccable. The subtle aspects of their studio engineer brings Feeling This to another level of listening enjoyment. 6 studio effects really stand out to me why Feeling This is such a great composition by Blink 182.

1. Flange in the intro sounds classic.

You don't hear too many contemporary bands from the punk genre use this effect anymore. Blink 182 uses flange ON Travis Barker's drum intro however to add dimension. It reveals a new classic side to the band since Feeling This is the first track ON their first serious album.

2. Bass booms add bulk.

Do you hear that rumble in your speakers at the START of the first chorus? That's a very low pedal tone in the key of the song and commonly called a bass boom. When you hear that tone resonate behind Mark Hoppus's vocals and you can feel a whole new powerful depth to what he sings.

3. They diversify with guitar filters.

After the first chorus of Feeling This, Tom Delonge's guitar is covered with a filter that creates the illusion of depth. Effects like this create a broad variation in sound throughout Blink 182 ' s song and ultimately to make it more interesting with each listen.

4. Barker uses drum filters.

As Delonge is singing aggressively during the bridge, Barker is banging ON his drums and sounding as if he's clipping the tracks. That clipping effect is actually a simple distortion filter applied to the percussion. It's pretty similar to that of the intro to Underoath's Down, Set and Go.

5. Sometimes Mark Hoppus sings through a phone.

Similarly how Travis Barker's drums are distorted in the bridge and so is Hoppus's voice. All of a sudden Mark Hoppus is singing through a phone! It's a really COOL and simple filter to add to create intimacy and I feel Blink 182 picked a good part for it.

6. The final fade-out to A Capella is magical.

Probably the coolest and yet simplest studio element in Blink 182 ' s Feeling This is the instrument fade-out at the end of the tune. The engineer really puts that pitch corrector to work ON the boy's vocals as they begin to overlap in harmony. It's a great way for the song to finish.

There are so many studio production elements that went into Blink 182 ' s Feeling This to form a strong composition that it would be difficult to list them all. The more prominent studio effects include filters, bass booms and fading. Take these into consideration when mixing your own music.



Hi and my name is Kyle and I enjoy writing unique articles about music and popular bands. For more COOL information ON Blink 182, visit my blog: 182 The Small Things



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